In Roppongi, university student Koshiro is fascinated by the world of "black suits" when he meets Club Legend's number 1 hostess Miho and top staff member Hideto, and decides to join the world by getting a job at the high-class club himself.

A dramatic retelling of the brutal double murder of Martha Broomham and her son Robert perpetrated by her husband George and his mistress Dorothy Newman on 23 February 1676.

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A young boy has a terrible encounter with a strange man while fishing in the woods. From the award winning story by Stephen King.

Short film adapted from the story of the same name by Stephen King.

“The Man in the Black Suit” recounts the tale of Gary, a nine-year-old boy, whose brother died, not long ago, due to a bee sting. One day, Gary goes out fishing and encounters the devil.

Student film based on Stephen King's short story "The Man in the Black Suit".

Celal Aga, who covets all the lands in his region, seizes the lands of all the aghas and has his last rival Osman Aga killed. Osman Aga's wife Raziye gives birth to a son that night. To protect her son from the wrath of Celal Aga, who has another daughter, she gives him to Celal Aga's wife Asiye through Naile Kadın. Ömer is now the son of Celal Aga, the murderer of his father. The daughter born to Celal Aga's wife Asiye is a secret. Years pass and Ömer grows up as Celal Aga's son. Sultan returns to the town claiming to be Osman Aga's daughter and seeks revenge. Fate reunites two people born on the same night.

After releasing the Chupacabras, Leo San Juan decides that it is time to return together with his brother Nando to his grandmother's house. Halfway down the road, Charro Negro manages to confuse Leo and because of him, an innocent girl is dragged into the underworld. Leo is forced to repair the damage. His friends will come to try to help him and get out of there as soon as possible. But it is no coincidence that the Charro has chosen to involve Leo, his intentions go beyond getting a new soul.

During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.